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Anna von Hausswolff

Anna von Hausswolff
Photo: Spotify

About

Anna von Hausswolff (born 1986, Gothenburg) is a Swedish singer-songwriter, organist and composer whose music moves between gothic art-rock, drone and post-metal - with the pipe organ as her signature instrument. Daughter of avant-garde sound artist Carl Michael von Hausswolff, she broke through internationally with Ceremony (2012) and has since built a catalogue praised by critics from NPR to The Guardian. Her sixth album Iconoclasts (2025), featuring Iggy Pop and Ethel Cain, was received with universal acclaim.

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What's new

  • 2026-03

    Anna von Hausswolff postponed her North American Iconoclasts tour to January 2027 after her band's US visas were denied.

  • 2025-12

    Von Hausswolff kicked off the Iconoclasts European tour in Copenhagen on 4 December 2025, opening with the live debut of 'Consensual Neglect'.

  • 2025-10

    Her sixth studio album Iconoclasts was released on 31 October 2025 via YEAR0001, featuring guest appearances from Iggy Pop and Ethel Cain, to universal critical acclaim.

  • 2025-08

    Von Hausswolff announced Iconoclasts in August 2025, sharing lead singles 'Stardust' and 'The Whole Woman' featuring Iggy Pop.

  • 2024-08

    She premiered Atlas Song - a live music and dance collaboration with choreographers Imre and Marne van Opstal - at GöteborgsOperan in August 2024.

Tour

HamburgBerlinAmsterdamBristolManchesterLondonAntwerpParisLilleMetzCologneMunichViennaPragueMilanBologna

Tracks

IconoclastsSixth studio album (2025), released via YEAR0001, featuring Iggy Pop and Ethel Cain - received universal critical acclaim.
The Mysterious Vanishing of ElectraFan and critic favourite from Dead Magic (2018), a live staple across all tours.
Mountains CraveSignature track from Ceremony (2012), the album that broke her internationally.
All Thoughts FlySolo pipe organ album (2020) recorded on the world's largest quarter-comma meantone organ at Örgryte New Church, Gothenburg.
Dead MagicFourth album (2018), produced by Randall Dunn and recorded on the pipe organ at Copenhagen's Marble Church - described by The Guardian as a 'doomy epic'.

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